Towards Youth

In drama classrooms around the world, we are learning that activated hope is a social fabric that connects youth across geography, and might form the basis of a new, audacious citizenship.

What if Radical Hope were activated?

Through creative practices, young people are subverting systems of separation to build connection and community that activate hope and create change.

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A group of actors performing on a stage
Radical Hope Research

In "Youth, Theatre, Radical Hope and the Ethical Imaginary: an intercultural investigation of drama pedagogy, performance and civic engagement", youth, teachers and artists in five countries explored ideas of youth civic engagement, hope and care.

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Towards Youth: A Play on Radical Hope (Coming Soon)
Towards Youth

Young people are not being heard, and their voices really matter. Towards Youth is a play that uses young people's words to tell their real stories. Watch the play to see the Radical Hope come to life.​

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A person seated on a stage looking up, in front of seaside background.
Happening Now

Young people are teaching us the ways practices of hope can offer a political alternative that moves us from accepting our future, to creating it.

Why Drama?

Drama and storytelling invite performances across research sites to become life rehearsals, embodied enactments of desires, dreams, and re-imaginings of present life-limiting conditions.​

Shared Imagination

Theatre methodologies invite a shared radical imagination. They tap into our aspirational urges; the friction and tension and struggle, love, care and compromise that is born of the effort to find a shared expression and to communicate that to others.

Verbatim Theatre

Verbatim theatre is created from word-for-word interviews with real people.

Devising Theatre

An ensemble-based model of theatre using primary sources of material from the creators' lives and from popular culture.

Oral History Performance

A practice of building theatre from personal objects or memories.

Site Specific Theatre

A site-specific creative practice that locates stories of the self, memory, and community within material spaces. 

Can We Activate Radical Hope?

Using drama engages creators in simultaneous symbolic and real thinking about how to be in relation with others different from themselves-- who am I, relative to others, and what compels me to act upon my world?